We gonna be alright kendrick christian music artist

Kendrick takes aim at Rivera once again, rapping, вЂњSomebody tell Geraldo this n**** got some ambition/IвЂ™m not a politician, IвЂ™mВ not вЂbout a religion.вЂќ This particular lyric was in response to FOXвЂ™s criticism of his performance of Alright at the BET awards, which involved him standing on police cars. ItвЂ™s a nice come down after the mania of DNA, although itвЂ™s not without its standout moments. The next song is YAH, a slow, drawling cut that sounds like the BeatlesвЂ™ IвЂ™m Only Sleeping reimagined as a rap song. ItвЂ™s a little cocky, but you know what? He backs it up. The wordplay is clever enough to not come off as purely self-aggrandizing, and it crucially sets up a lyrical touchstone that returns again and again throughout DAMN: Kendrick equating himself with Jesus. The lyrics are furiously delivered, and they feature Kendrick rapping about his career and his success. When played through a subwoofer, itвЂ™s loud enough to cause internal bleeding. The bass onВ this song is absolutely insane. The song immediately following BLOOD is (fittingly) DNA, which is one of at least two certifiable smashes that will come from this record. Kendrick, even more than before, is making his targets known. It stays that way for about half of its scant running time, before shifting into a looped soundbite of Fox NewsвЂ™ Geraldo Rivera quoting lyrics from LamarвЂ™s 2015 smash Alright, which became an anthem for the Black Lives Matter movement. ThatвЂ™s about the best way I can describe BLOOD (all of the songs, like the album, are in all caps and stylized with a period, but IвЂ™ll leave that last part out in order to avoid grammatical confusion). The album starts off typically enough, with a song that sounds like a calm apocalypse. When people talk about this album years from now, theyвЂ™ll talk about how it was just as much of a 180 as To Pimp a Butterfly was. Lastly, King Kunta is a funky call-and-responseВ stomp that directly references Kunta Kinte, the rebellious slave at the center of the miniseries Roots. Backseat Freestyle is typical rap braggadocio, yes, but itвЂ™s being told to us by a narrator whoвЂ™s deeply unsure of himself. Swimming Pools (Drank) is a song about the perils of alcoholism that also masquerades as a party jam. In fact, one of his biggest strengths has always been disguising injustice and heartbreak inside enjoyable beats. While I think itвЂ™s a little less sonically inspired, thereвЂ™s nothing wrong with Kendrick making music fit for a club. He ditches the soupy live bass for the 808 drum machine, a move that gives this album a lot more commercial appeal. ThatвЂ™s not necessarily a bad thing, because Kendrick proves that heвЂ™s willing to reinvent himself once again. I still discover new storylines, sonic interludes and anecdotes every time I listen to it. It was immediate, heartbreaking and awe-inspiring.

In my view, itвЂ™s the best album of the decade so far. On the latter, Kung Fu Kenny just went ballistic, blending P-Funk, freak jazz and spoken word into a kaleidoscopic masterpiece. On the former, Kendrick wove a gripping Boyz in the Hood-esque narrative plucked from his own personal life.

good kid, m.A.A.d city and To Pimp a Butterfly, are in my opinion, stone-cold classics. I also think itвЂ™s important to know that the Compton MCвЂ™s last two albums stand as two of my favorite rap albums of all time. Some albums just simply donвЂ™t sink in on the first listen. Yes, I wanted to like this album, but I also wanted to give it a fair shake. TheyвЂ™re dense, intricate puzzle boxes, guarded by passwords and riddles. I shouldnвЂ™t have to listen to a record this many times to determine my opinion, but Kendrick Lamar albums arenвЂ™t like most albums. Fortunately, the record has really opened up to me after several listens. I disliked the boring minimalism of the first half, and was too annoyed by the first half to really give the second half a chance. I thought it was tacky, uninventive and safe.

We gonna be alright kendrick christian music artist